Catching Up With The P-Pop Class Of 2025: G22, VXON, GAT, ALAMAT, BGYO, & KAIA

A year ago, Billboard Philippines introduced its inaugural P-pop Rising Class, shining a spotlight on six groups poised to help shape the genre’s next chapter: G22, VXON, GAT, ALAMAT, BGYO, and KAIA. At the time, each act represented a different facet of an industry in motion—one defined by artistic ambition, devoted fan communities, and an expanding appetite for homegrown pop.

In 2026, the momentum has only grown stronger. Across the past year, these groups have released new music, mounted headline concerts, embarked on international tours, earned major accolades, and continued refining their identities as performers. While their journeys have unfolded in different ways, each milestone speaks to the continued evolution of P-pop as a thriving force in Filipino music.

As we welcome a new class of rising acts, here’s a look at where last year’s honorees are today — and the achievements that prove why they remain among the genre’s most exciting artists to watch.

G22

Since being inducted as part of Billboard Philippines’ P-pop Rising Class of 2025 and gracing the cover of Billboard Philippines’ June 2025 print issue alongside ALAMAT, the Female Alphas of P-pop, G22, have come a long way.

Released at the end of 2025, their eight-track debut studio album, The Dissection of Eve, marked a milestone for the trio, further cementing their status as one of the more prolific recording groups in the P-pop scene. Since their debut in 2022, AJ, Alfea, and Jaz have always had a strong connection with the stage, enthralling audiences with their energetic performances 100% of the time.

In March, G22 were named the Rising Star honorees at Billboard Philippines Women in Music 2026, a milestone that pushes them to excel and fuels the fire of what they can still achieve. 

This July, the trio is set to hold their first-ever headlining concert at the New Frontier Theater. Another milestone in the books, the concert opens up a new chapter for G22, one where they get to truly showcase who they really are as artists, not just to their fandom, Bullets, but also to music fans who are seeing them live for the first time. – Ralph Regis

VXON

A year after their induction to the Billboard Philippines’ P-pop Rising Class of 2025, VXON has quite the resume of achievements under their belt.

The Monsters of P-pop kicked off 2026 with the release of their eight-track sophomore album, Pasakalye — a record that represents who they are right now as artists, along with the sound and identity they are currently moving forward with.

They held their first-ever headlining concert, ‘Kalawakan,’ at the SM North EDSA Skydome, which the group described as celebrating what they have worked on for the last few years since their debut in 2022. Following it up immediately with their second major solo concert, ‘Kalawakan: The Evolution’ this June, VIXIES, their official fandom, can expect to be part of the experience and connect more with the group. 

With P-pop breaking through the global music scene, VXON hopes to be next in line to showcase their talent and artistry with a much bigger platform and stage. – Ralph Regis

GAT

From being named Billboard Philippines’ P-pop Rising Class of 2025, GAT had already captured public attention even prior to their official debut. First making waves through their viral rendition of “Daleng Dale,” the five-member act — composed of Ethan, Charles, Michael, Hans, and Derick — have since then sustained their early buzz, releasing reimagined OPM classics such as South Border’s “Rainbow” and Juan Caoile and Kyleswish’s “Marikit.” With the release of their official debut single “Kakaiba” in August 2025, followed by original tracks including “Kembot” and “Kapag Ngumingiti Ka,” GAT gradually carved out an identity beyond covers and soundtrack hits. 

A year after their inclusion in the P-pop Rising Class, the hitmaking boy group have claimed that there are no limits to their sound. With a name that stands for “Gawang Atin ‘To,” GAT proudly represent Filipino music, taking inspiration from modern-day “harana” and homegrown artists like James Reid. Their rapid rise has earned them recognition both locally and abroad, including a feature in Billboard Georgia’s first-ever global editorial campaign, NEXT GEN, and a nomination for Favorite New Group Artist at the 38th Awit Awards. 

From headlining mall shows and live gigs to performing on national television and local festivals, GAT have steadily built a name for themselves — and now, they are set to return to the Billboard Philippines stage for P-POP UNITE: The Convention on June 24, 2026 at SPACE at One Ayala, Makati City. – Andrea Manuel

ALAMAT

Since being named part of Billboard Philippines’ P-pop Rising Class of 2025, ALAMAT have maintained their position as one of the genre’s leading advocates for Filipino culture and identity. Over the past year, Taneo, Mo, Jao, Tomás, R-Ji, and Alas furthered their mission through new releases and notable appearances — gracing the cover of Billboard Philippines’ June 2025 print issue, lending their music to Filipino productions such as Viva One’s Bad Genius: The Series and Hell University as well as the 2026 film Wonderful Nightmare, and releasing their sophomore album DESTINO, which featured the track “LuzViMinda,” a celebration of the country’s diverse regional identities. Bringing their cultural advocacy to audiences across the Philippines, ALAMAT have also performed at major events including Love Laban Pride Festival,  Fusion ELBI, Bacolod’s MassKara Festival, Wonderful Moments Music Festival, and more. 

Beyond the local stage, the past year also saw ALAMAT continue to bring their distinctly Filipino sound to wider audiences. Following appearances at brand events, national television programs, and music festivals, the six-member act notably staged ALAMAT Live in Dubai on June 13, 2026 at the Pakistan Auditorium, bringing Filipino music to overseas fans. Coming full circle from last year’s P-pop Rising Class, ALAMAT are set to take the stage at Billboard Philippines’ P-POP UNITE: The Convention on June 24, 2026 at SPACE at One Ayala in Makati City. – Ralph Regis

BGYO

Since being named part of the Billboard Philippines P-pop Rising Class of 2025, BGYO have continued to prove why they remain one of the genre’s most dynamic and forward-moving acts. 

Over the past year, the group has built on that momentum with a steady stream of new music, releasing three extended plays that showcased their growth as artists and songwriters while expanding their signature sound. From the self-titled BGYO EP and its standout tracks “Divine” and “Trash,” Headlines with the Filipino Music Awards-nominated “All These Ladies,” to their latest release On Demand, this P-pop quintet have consistently delivered music that reflects their evolution and growing confidence as performers.

It’s also worth noting that their rise has also extended far beyond Philippine shores. In 2025, BGYO made history as the only Filipino act in the lineup of Summer Sonic Bangkok, one of Asia’s premier music festivals, sharing the stage with globally renowned artists and bringing P-pop to an international audience. The group continued that global journey earlier this year with a performance at Japan’s D.U.N.K. Festival 2026, further cementing their presence on the international stage. 

Yet even as they look back on a remarkable run of milestones, BGYO remain humble upon reflecting on the achievements, lessons, and unforgettable moments that have defined their journey since joining the Billboard Philippines P-pop Rising Class of 2025. – Gabriel Saulog

KAIA

A year past their induction as part of Billboard Philippines’ P-pop Class of 2025, KAIA have emerged as one of the most exciting girl groups in the country, turning momentum into a series of breakthrough achievements that have elevated their profile both locally and internationally. 

At the center of their rise was the runaway success of “TANGA,” a bold and empowering anthem that resonated with listeners across generations and became one of the defining P-pop releases of the year. The song’s impact culminated in a major milestone when it earned recognition as the winner of the fan-voted Listeners’ Choice Award at this year’s Billboard Philippines Women in Music –– further cementing KAIA’s place among the leading voices of a new generation of Filipino artists.

Though even with such a milestone, the group’s momentum only continued to build as they expanded their reach beyond the local scene. KAIA captured the attention of global audiences with their viral cover of HUNTR/X’s “Takedown,” a performance that showcased their vocal prowess, charisma, and ability to reinterpret a track in a way that felt uniquely their own. The cover quickly gained traction online, introducing the group to new listeners and opening doors to opportunities far beyond the Philippines. – Gabriel Saulog