Recommended Video
Just like that, we’re a quarter of a way into the year.
From January to March, we’ve seen many excellent new releases by both Filipino and international acts — compelling debut singles from rising stars, out-of-nowhere collaborations between artists, highly anticipated comebacks by music icons and veterans, and everything else in between. And more often than not, these releases came with accompanying music videos that not only heightened the experience of hearing the music, but also showcased the artists’ creativity and vision in collusion with equally ambitious filmmakers.
With this, Billboard Philippines presents its list of official music videos and visualizers from the first three months of 2026 that captured our attention, as selected by our editorial team. Stay tuned to our website to see our picks for the best videos every month for the rest of the year.
JANUARY
Wolfgang – “Arise”
The ‘90s are all the rage again, but if there’s one music video that can literally take anyone back to that decade, it’s the recently unearthed video of Wolfgang’s “Arise,” a track from the band’s now-classic, eponymous 1995 debut album. The footage itself was shot in December 1995, but never saw the light of day until Wolfgang singer Basti Artadi found the film reels in his closet decades later. Masterfully restored by the Film Development Council of the Philippines, and reedited and set to the rerecorded version of the song on Wolfgang 30 by Adrian Arcega, the clip features the original lineup of the band in their grungy, long-haired glory, performing to a mosh pit of fans and bringing us to a time when rock was both pummeling and dangerous. – Jason Caballa, Managing Editor
KATSEYE – “Internet Girl”
The official visualizer for KATSEYE’s recent single “Internet Girl” does not attempt to be profound, as it gives exactly what the title suggests: footage of the girls on various social media platforms — doing dance moves, memes, the whole shebang — stitched together to form a dynamic and engaging visual interpretation of the song. It’s a fun clip that captures the international girl group’s vitality, and is addictive enough for repeated viewing if you can get past seeing “EAT ZUCCHINI” over and over again. – Jason Caballa
Ben&Ben – “Duyan”
After almost six years, Ben&Ben finally complete their ‘Mahiwaga’ trilogy of videos with “Duyan,” and unlike the first two installments (“Pagtingin” and “Araw-Araw”), this one actually ends happily for onscreen couple Khalil Ramos and Gabbi Garcia, matching the joyful and uptempo nature of the song. The gamble of working with three different directors also pays off for the hitmaking nine-piece folk rock band, as Railug of Lunchbox comes up with another visual treat that showcases his unique vision while serving as a cohesive conclusion to the characters’ story. – Jason Caballa
Slayyyter – “DANCE…”
Slayyyter’s rollout for her latest album, WOR$T GIRL IN THE WORLD, has featured several cinematic visualizers dropped across the past few months, yet there’s undeniably something special about what she’s achieved for the record’s opening track, “DANCE…” From the moment the acid-drenched synths align with the frame of the rising pop star blasting a shotgun, everything else is timed impeccably from the get-go –– whether its Slayyyter dancing amidst a crowded dance floor, bustling through a hair salon, or (literally) tripping on the ground as she belts some darn good vocal riffs. Not only is she crafting a visual world of her own, but she’s curating a vibe that many other pop stars should surely take note of. – Gabriel Saulog, Associate Editor
PinkPantheress & Zara Larsson – “Stateside”
For both PinkPantheress and Zara Larsson, there is no such thing as too much –– as exemplified by the astonishing music video of their hit collaboration, “Stateside.” Here, the two fast-rising pop princesses merge their distinct visual identities into one package, blending maroon plaid patterns with vibrant (yet equally contrasting) floral imagery in ways that begin to feel as seamless as their vocal harmonies together. Yet as if their musical chemistry wasn’t enough, the video’s snappy editing, Charlotte Rutherford’s direction, and Sian Rowe’s bold creative touch make this a visual feast that’s ultimately worth replaying from start to finish over & over. – Gabriel Saulog
Robyn – “Talk To Me”
Time has undoubtedly been kind to Robyn, for it has allowed the Swedish pop sensation to refine her craft of making near pop perfection with almost every release she’s put forth into the world. The same could be said for her latest lead single, “Talk To Me”, which sees her fully embrace the bold and flirtatious nature she’s honed over the years –– yet is perhaps the most free-spirited she’s ever been to date. Utilizing intricate choreography to translate the meaning of the track into action, director Casper Sejersen makes full use of Robyn’s charisma to enchant the audience all throughout. – Gabriel Saulog
Harry Styles – “Aperture”
Kicking off his fourth album rollout, Harry Styles changed things up with the release of “Aperture” –– which came with an equally mystifying music video upon its release. Channeling his inner David Byrne while clearly featuring inspired influences from David Bowie and Nine Inch Nails’ “I’m Afraid Of Americans” music video, this visualizer is something well worth unpacking over repeat viewings and discussions with friends. Though despite some initial confusion from fans, there’s no denying that Styles’ ambitious concept had perfectly set the tone for his latest album, Kiss All The Time. Disco, Occassionally, further highlighting his growth and evolution not merely as a celebrity, but an artist overall. – Gabriel Saulog
no na — “Work”
Indonesian girl group no na deliver an infectious and energetic pop anthem with their latest single, “work.” Along with this, the track’s music video, which features an eclectic pacing and vivid visuals, further conveys the song’s message on girl-boss energy, delving into themes of female empowerment and putting all the hard work into what you do. — Ralph Regis, Lifestyle & Culture Writer
Bruno Mars – “I Just Might”
Following his hit album An Evening with Silk Sonic with Anderson .Paak, Bruno Mars leans further into the 70s disco-pop sound with “I Just Might,” from his solo album, The Romantic. Its accompanying music video offers slick, retro-leaning visuals which pair effortlessly with Mars’ signature groove. Keeping the highlight on the soul-funk sound, the visualizer spotlights the multi-talented musician’s one-man band — or rather, six of Mars singing the melody, back up vocals, and playing all the instruments by himself. – Andrea Manuel, News Writer
Sica & Gaspari – “Wenna”
Shot throughout Hong Kong, the hip-hop rappers Sica and Gaspari take us on a tour of the city in their music video for their joint single, “Wenna.” Clips of their crew hanging out at random streets in Hong Kong, dripping in chains and crashing jewelry stores, invite fans along their chill foreign trip, soundtracked by the trap beats of their collaborative track. – Andrea Manuel
FEBRUARY
BLACKPINK – “GO”
BLACKPINK in 2026 sound nothing like the bright and bubbly K-pop girl group that debuted ten years ago, and the same can be said for their music videos. The official visualizer accompanying “GO” — the second single from BLACKPINK’s latest EP, DEADLINE — substitutes their trademark vibrant hues for a gray and silvery sheen, and their distinct, elaborate sets for a sc-fi themed background and graphics. You don’t know what’s going on for the most part, but it draws you in anyway. – Jason Caballa
SB19 — “VISA”
SB19 have always brought their own artistry, not only through their songs but also on the visual side of things. While their music speaks for itself, their visuals consistently showcase the Kings of P-pop on a different level — some may even argue that nobody is doing it quite like them. The music video for “VISA” is nothing short of infectious, with the dance-pop anthem elevated by playful and quirky visuals. The song delves into the hardships many Filipino artists, athletes, and Overseas Filipino Workers (OFWs) face when applying for a visa, and the video further amplifies this socially relevant message. – Ralph Regis
HEY JUNE! – “Sabihin Mo Lang”
The music video for “Sabihin Mo Lang,” the latest single of “Lasik” hitmakers HEY JUNE!, features star power in the form of KAIA’s Charice in the starring role, playing the band’s singer/guitarist Jim Mase’s object of affection. It’s almost your typical “band in a prom scene” clip, but the production design, the performances of both the band and the cast, and its ambiguous, unresolved ending keep it interesting. – Jason Caballa
Harry Styles — “American Girls”
Harry Styles runs back to his One Direction days with the visual for the second single of his fourth studio album, Kiss All The Time. Disco, Occasionally. Taking cues from the “Kiss You” music video, the English singer-songwriter stars as an actor shooting scenes on a film set, packed with explosions, green screen backdrops, high-stakes stunts, and motorcycles. In a way, with Styles pondering about his life, along with the song’s message, speaking of the changes around him and the people in his life, both his pop star and real-life personas collide, and the video best represents that. — Ralph Regis
Knocked Loose feat. Denzel Curry – “Hive Mind”
Kentucky metalcore stalwarts Knocked Loose’s standalone single “Hive Mind” — with guest verses from “Walkin” rapper Denzel Curry — is by no means sonically groundbreaking as a hip-hop and rock hybrid, but is one that is done extremely well, making it already one of the year’s best heavy music releases. Its music video, directed by the band’s longtime collaborator Eric Richter with Bryan Garris, is equally as good, capturing the song’s energy with dynamic performance shots and snappy editing. – Jason Caballa
ATEEZ – “Adrenaline”
K-pop boy group ATEEZ debuts high-octane music video for “Adrenaline,” driven by sharp choreography and cinematic pacing. Set in sandy terrain, the visualizer mirrors the song’s intensity, with sweeping sandstorms and gripping action sequences from the eight-member group. Sticking with a dark, intense concept, the hype anthem sees the boys perform their signature hard-core dance routine, flanked by backup dancers clad in black suits. – Andrea Manuel
Bruno Mars – “Risk It All”
Audiences are welcomed to the most romantic wedding featuring Bruno Mars as the groom in his music video for the emotional, Latin ballad, “Risk It All.” Dedicating the song to his bride, portrayed by DJ Rashida, as if the lyrics are his wedding vows, the visualizer makes us a guest as the two lovebirds tie the knot in a rose-covered altar inside a quaint Catholic church. The story then takes us further on their journey as a married couple with a mundane montage of the two as they reach old age together. – Andrea Manuel
Hev Abi — “WALANG HIYA”
Earlier this year, Hev Abi released his highly anticipated sophomore album, MADUMING TIMOG, his first in over three years. Marking this era, he also released the music video for the album’s eighth track, “WALANG HIYA,” presented as a cinematic film that delves into the complex themes of love and jealousy in all their forms. The film, co-directed by Hev Abi and Tokseen (Roger Divino), is set primarily in an apartment, mostly within a living room, and its gritty atmosphere heightens the raw tension between the characters in the narrative. — Ralph Regis
Zack Tabudlo feat. Nateman, Robledo Timidi, Paul N Ballin – “Tunay”
Zach Tabudlo’s latest single “Tunay” featuring Nateman, Robledo Timido, and Paul N Ballin is the next yearning anthem, celebrating an admirer’s pure intentions rather than grand gestures. The accompanying music video starts out like a teen series, with the names of the cast flashing on the screen as they are introduced. The story follows the four OPM artists as they call on the houses of their crushes, only to be met by immediate rejection by their fathers. The boys take on the challenge, appearing one by one at their doorstep, until Tabudlo’s turn, when former PBB housemate Waynona Collings makes a surprise appearance as the young singer-songwriter’s crush. – Andrea Manuel
Costa Cashman – “ULE”
Rising hip-hop artist Costa Cashman’s “ULE” music video portrays the O SIDE MAFIA member as a package delivery driver, thrashing the cargo loaded in his truck. The brief video is reminiscent of old Filipino films with its shaky, hand-held shots and constantly alternating frame rate, paired with a highly saturated color grading. Cashman’s flow and beat matches perfectly with the straightforward and playful visualizer, keeping also with the sound of his other 2026 releases, “LOBAT” and “Not Me.” – Andrea Manuel
MARCH
BTS — “SWIM”
BTS’ ARIRANG era rides the highest waves, and along with it is the lead single “SWIM,” taking the boys to the high seas. Directed by Tanu Muiño and featuring Riverdale star Lili Reinhart, the visual features RM, SUGA, j-hope, Jin, Jung Kook, V, and Jimin on a sailing ship across the Lisbon ocean. It may seem straightforward, but the visual couldn’t have been more perfect, with the song talking about defying the odds and continuing to swim no matter how hard life gets. — Ralph Regis
ONE CLICK STRAIGHT feat. Raymund Marasigan – “Trip Lang”
A collaboration between one of the most goth-looking bands in the local indie scene and a very well known fan of The Cure isn’t exactly surprising, but ONE CLICK STRAIGHT’s most recent single, “Trip Lang,” is far from gloomy — in fact, its Stone Roses-y groove and jangly guitars can put it right up Sandwich’s alley, and it fits guest singer Raymund Marasigan like a glove. The video plays on the title by interspersing footage from the band’s tours both here and abroad, putting a spotlight on what modest indie acts are capable of with determination, good songs, and a tight live show. – Jason Caballa
YB Neet & CK YG – “ICEBERG”
Showcasing the neon blue tinge of Angeles City’s scene, the music video of YB Neet and CK YG’s collaboration “ICEBERG” is just as chilly as you would expect. The direction of JFX Visuals utilizes snappy cuts, blue-hued color grading, and fast-paced camera movement to complement the energy of the track –– which is further amplified by both rappers’ infectious charisma all throughout its three-minute runtime. – Gabriel Saulog
BINI – “Unang Kilig”
The teasers for the music video of “Unang Kilig” showed the girls of BINI auditioning to play different roles for what could be a movie or a TV show, and in the full video, we get to see how it plays out. The song’s theme — the rush of first love — is interpreted by the filmmakers through scenes in which the girls attempt to achieve chemistry with their co-stars (played by Gerald Anderson, Richard Gutierrez, and Vhong Navarro) and humorously fail in the process. By the song’s end, they get it together, singing and dancing to the song in unison — just doing what they’re extremely good at. – Jason Caballa
Linkin Park – “Up From The Bottom”
The recently reactivated, Emily Armstrong-fronted version of Linkin Park continues to be divisive, but “Up From The Bottom” — like the rest of the album it came from, From Zero — is a fine example of the sonic formula that the band had perfected for almost three decades now. Apart from the excellent performance footage, the Joe Hahn-directed music video shows the members of the band in different scenarios and degrees of being trapped — something they may have felt during the limbo years following the passing of original lead singer Chester Bennington. – Jason Caballa
SB19 feat. JOLIN – “Emoji”
For the music video of their cross-genre collaboration, “EMOJI,” P-pop boy group SB19 and C-pop icon JOLIN take us into a metaverse, switching between a faded, ruined dystopia and a futuristic, digital setting. The visuals are elevated by red and blue neon lights as well as LED screens flashing bright, eye-catching illusions. A mix between their concepts, the boy group’s intense, manly looks are well complemented by the Mandopop star’s refined, sensual vibe. – Andrea Manuel
RAMONA — “GAGA”
Andrea Brillantes sheds a new skin with her musical alter ego, RAMONA. Her debut single, “GAGA,” is a pop-rock anthem that leans on the rebellious and daring side of the singer-actress, owning and embracing her personal experiences with online hate. Complete with all the early 2000s pop-punk-inspired angst, the music video also stars renowned actor-comedian Pepe Herrera and is set entirely in a courtroom, with RAMONA letting the anger out in her own fashion. — Ralph Regis
Kartell’em – “The Helly What”
Kartell’em lean into a more chaotic, crew-driven presence with “The Helly What,” turning the video into a kind of rolling cipher where every member gets their moment to flex. The rapid switches in performers and energy mirror the track’s relentless, almost loop-like momentum, making it feel like the whole thing could keep going long after the video cuts. Instead of relying on one standout visual gimmick, it thrives on collective chemistry — with each shot feeling like a snapshot of a larger movement, loud, unfiltered, and fully in control (just as Kartell’em really is.) – Gabriel Saulog
OWFUCK – “AYO AYO”
Whether it’s in abandoned buildings or an empty hillside, OWFUCK know how to bring out the energy (and starpower) with their music video for “AYO AYO.” The visuals feel raw and unfiltered, leaning into a gritty, street-level aesthetic that mirrors the collective’s reputation for grounded yet intense hip-hop storytelling. It’s this balance of chaos and charisma that makes the video stick—every frame feels like it could spiral out of control, but never loses its sense of style. – Gabriel Saulog