In music, women are often asked to soften their sound. To stay within a genre, an image, a lane that feels easier to market and explain. The reality, however, is louder than that. Women in OPM today are shaping scenes, redefining what presence looks like when it is fully claimed. This is what it means to turn the volume up not only in sound, but in confidence.
That idea sits at the heart of Cream Silk’s latest collaboration with Billboard Philippines Volumes. Across three separate episodes powered by the brand, Ena Mori, Dia Maté, and Zae each tell a story of self-definition. Different genres, different paths, one shared energy: women claiming space in music on their own terms. Together, their voices form a larger narrative about what it means to be heard, seen, and amplified in 2026.
Ena Mori: When Softness Speaks Loudest

Ena Mori has never been interested in being predictable. Known for her experimental yet deeply personal sound, the first-ever Rule Breaker awardee at the 2024 Billboard Philippines Women in Music event represents a different kind of loudness. Not noise for noise’s sake, but the confidence to sit with vulnerability and let it speak. “I wanted to write in a more internal way,” she says of rOe. “It’s more kind of talking to myself rather than talking to the world.”
The record itself is shaped by post-pandemic anxiety, creative recalibration, and the disorienting reality of being in your twenties after the world paused. “Being in your mid-20s feels like this very sensitive, delicate thing,” she reflects. Rather than chasing external spectacle, rOe is an inward spiral.
That softness, however, is presence. Songs like “Heartache Generation” confront the slow pressure of comparison, while tracks like “Portion Control” explore obsession and emotional complexity. “Everybody has their own power, but being able to talk about it is usually the first step,” Ena explains. Her volume is emotional clarity, expressive, unapologetic, and unmistakably hers.
Her visuals, from the whimsical worlds of rOe to side tracks like “Funny” and “Little Sunny Baby,” mirror that confidence. And for Ena, the rituals that accompany her music — how she styles her hair, how she carries herself on stage — shape how she shows up. Partnering with Cream Silk for the Billboard Philippines Volumes episode gives her that extra boost, helping her feel present and powerful in ways that shift with each song and story she shares. From global festival stages to signing with Norway-based Made Management, Ena continues to expand her reach without diluting her voice, proving that volume is about being yourself.
Dia Maté: Standing Strong, One Note at a Time
Dia Maté’s volume has come through evolution. From a six-year-old asking for piano lessons to a self-taught bedroom producer learning to record, mix, and write at home, her journey has been one of constant growth. Signing with Island Records under UMG in 2021 was a milestone, but not a final destination. “I’ve been ever so evolving for the longest time,” she says. “When I started, especially with Universal Music Group, I’d describe that year of myself as a bedroom producer era. I wrote and produced all my demos at home. I did everything myself.”
Over time, Dia’s music shifted from inward reflection to outward empowerment, shaped by her experiences as a recording artist and as a national beauty queen. “Before, I was trying to please other people more than myself,” she explains. “As I grew into myself as a woman, and especially becoming a beauty queen, it kind of clicked: what really matters is what you care about yourself and how you feel about the things you put out.” Tracks like “Ganda Gandahan” confront judgment head-on while celebrating self-worth. Her forthcoming project, Woman Like Me, is positioned as a love letter to women and the queer community, a collection rooted in empowerment rather than approval. “It’s hard to find. You’re only going to be yourself. You can only rely on yourself. You can’t find a woman like yourself because everyone is unique in their own way,” Dia says of the title.


Even the smallest details, like hair and styling, feed into her performance and confidence. Caring for hair that endures extensions, heat, and constant styling has become part of how she shows up for herself. “It makes me feel better when I perform. It makes me feel confident. It’s super important to invest in yourself, especially as a performer,” she says. Cream Silk’s new Hydration and Volume Salon Renewal Mask has become part of that ritual, boosting hydration from within and giving her hair 100% more volume so it stays soft, resilient, and stage-ready. Hydration. Volume. Presence. The connection is clear.
Dia’s career trajectory mirrors that evolution. From collaborations and projects like “Ina” with Regine Velasquez-Alcasid and “Ganda Gandahan” with Sassa Gurl to signing with the independent Radical Entertainment, she has expanded her reach. Every track comes with purpose, whether highlighting the struggles of the Golden Gays or standing strong in her truth. Dia’s music is proof that confidence, creativity, and courage can coexist and shows that power is not measured by volume alone but by the courage to create work that truly matters.
Zae: Making Space Where There Was None

In hip-hop, volume has always been political. For Zae, it is also personal. A multi-awarded, multi-charting artist and a standout from the Billboard Philippines Hip-Hop Class of 2024, she has spent her career pushing against the lingering misogyny of the scene. From viral moments to industry milestones, she has repeatedly had to prove what male artists are often granted by default.
In her Billboard Philippines Volumes episode, Zae addresses that reality directly. Recognition from international artists like Tyga should have been celebrated. Instead, it became another moment where people tried to take her down. “You see firsthand that there is still misogyny in the hip-hop scene,” Zae points out. “If it was a male rapper who received that kind of message, I think people would be just like, ‘You’re so amazing. You’re such an amazing rapper.’ But since I have a cat, you guys have negative things to say about it.”
Her response has been consistency, excellence, and fearlessness. From hit tracks like “SUBOMOTO” to directing her own music videos like “I Can Be the One” and preparing a forthcoming mixtape, Zae’s approach is rooted in total self-expression. Dance, music, fashion, and performance all feed into each other. “Like, overall, it’s just my full self-expression. Everything I do is very fulfilling for me,” she explains.


Success, she says, is no longer defined by numbers alone. “The biggest indicator of success for me is waking up and loving what you do, having the freedom to create the way you want, whenever you want,” she says. Her advice to young women is clear: lean into what makes you different. “Whatever makes you weird, lean into that. People wouldn’t believe you at first, but you have to believe in yourself.”
Even style becomes part of the statement. Working closely with her stylist, Erin Richelle, Zae prioritizes hair as a performance essential. “It’s like, do you see my hair? I use Cream Silk’s new Hydration and Volume Salon Renewal Mask. This is what I use when I perform. The volume is all the way up,” she says. Showing up fully styled, fully confident, fully herself is not vanity. It is intention, with hair hydrated from the inside and lifted for 100% more volume, ready to make every performance shine.
Turning the Volume Up, Together

Three women, three Billboard Philippines Volumes episodes, one shared truth. Ena Mori, Dia Maté, and Zae each know who they are, what they want to say, and how they want to be heard. Cream Silk’s partnership with Volumes celebrates that confidence and presence as part of their stories, not the story itself.
In today’s OPM landscape, these women are defining what it means to be bold on their own terms. Their voices, whether experimental, empowering, or unapologetically fierce, push boundaries and create space for others to do the same. The Cream Silk Hydration and Volume Salon Renewal Mask supports that presence from the inside out, hydrating hair and boosting volume so their confidence shines without effort.
Amplifying these voices is not about volume for its own sake. It is about carving out room for women to perform, speak, and experiment freely. When that room exists, the impact is unmistakable. The music, the style, the energy, all rise together.