In 2021, was beginning to find its footing in the local music landscape.

Following SB19‘s breakthrough with their viral “Go Up” dance practice video in late 2019, more groups began introducing their own sounds and identities. SB19, BINI, Alamat, BGYO, KAIA, and LITZ were among those taking strides toward bringing to a wider audience, working toward mainstream recognition and acceptance.

Today, has become a more visible and celebrated force in the Philippine music industry, with its groups earning major industry accolades and their music reaching international audiences. But before these milestones, amid the skepticism surrounding the genre, the aforementioned acts were already making their case through pre-debut releases, debut tracks, and boundary-pushing visuals.

Five years later, Billboard Philippines looks back at their music videos as snapshots of an earlier chapter in ’s history — and just how far the genre and its artists have come.


“The Light” – BGYO

Released on January 29, 2021, “The Light” marked BGYO’s official entry into the scene, introducing the five-member group through an intense, performance-focused concept. Compared to the more polished, suave image the boys would later explore with “All These Ladies” and “Fresh” for instance, this offers a glimpse of BGYO’s earlier, more hard-hitting concept.

“kbye” – Alamat

Alamat made a colorful and culturally rooted entrance with “kbye” on February 14, 2021. Even in their earliest , the group stood out for incorporating Filipino cultural references by using regional textiles in their outfits and a jeepney as a centerpiece of their visualizer. The representation translates as well in the track with its kulintang and tinikling-inspired percussion.

“What?” – SB19

Released on March 9, 2021, “What?” became a defining release in SB19’s growing catalog, boldly declaring their Filipino identity through the track’s recurring watawat imagery. Directed by group member Justin, the post-apocalyptic features the members in military-inspired uniforms, with the historic Murillo Velarde map making an appearance to show SB19’s willingness to tackle bigger themes.

“Born To Win” – BINI

Following their youthful pre-debut introduction through a remake of “Da Coconut Nut,” BINI officially debuted with “Born to Win” on June 11, 2021, presenting a fiercer side of the group. Partly filmed in the mountains of Rizal, the opens with the girls descending from a glowing, cube-shaped vessel, symbolizing their arrival in the P-pop scene.

“kasmala” – Alamat

With “kasmala,” Alamat took the cultural storytelling introduced in “kbye” a step further, embracing a bolder visual identity rooted in Filipino heritage. Released on July 15, 2021, the music video incorporated traditional-inspired attire, local settings, and cultural references that reinforced the group’s commitment to representing the country’s diverse identities.

“The Baddest” – BGYO

Released on August 20, 2021, “The Baddest” marked a shift toward a more confident and smooth image for BGYO. Moving away from the intensity of their debut, the music video leaned into a sleeker, more mature aesthetic that is closer to the image they have now — one they’ve developed through exploring different sounds and concepts through the years.

“Golden Arrow” – BINI

BINI showed a fresher, more playful side with the sparkly, retro-inspired “Golden Arrow.” The music video shows the members breaking out into a dance party that puts their synchronized choreography front and center. Released on October 14, 2021, the early release perfectly captures the charm and personality that would become central to their identity as the Nation’s Girl Group.

“Bazinga” – SB19

Another timeless hit from SB19, the music video for “Bazinga” sees the members face their alter egos in an underground arena. Its arcade and video game-inspired visuals and action-packed sequences are further elevated with the elaborate costume design, like with the striking black-and-red martial arts ensemble we see the Kings of P-pop in.

“Natataranta” – LITZ

LITZ made their mark during the early P-pop scene with their rendition of James Reid‘s “Natataranta” released on November 11, 2021. Produced and directed by G-Force’s Teacher Georcelle, the visualizer kept things simple with a studio setting that placed the spotlight on the members. Though LITZ has since become inactive, among its original members was Ashtine Olviga, who later gained recognition for her work as an actress.

“KAYA” – KAIA

Before officially debuting, KAIA introduced themselves through the pre-debut single, “KAYA.” Released on December 10, 2021, the performance video used a dark studio setting and dramatic stage lighting to enhance the track’s dynamic choreography, particularly its dance break. Now, with a fiercer stage presence and sharper performance style, KAIA’s more recent performance video at Backyard Live shows their growth after five years in the industry.

Frequently Asked Questions

Notable 2021 releases include BGYO’s “The Light,” Alamat’s “kbye,” SB19’s “What?,” BINI’s “Born to Win,” and KAIA’s “KAYA,” among others.

BINI officially debuted with “Born to Win” on June 11, 2021, after a youthful pre-debut remake of “Da Coconut Nut.”

Alamat featured regional textiles, a jeepney, and kulintang- and tinikling-inspired percussion in “kbye,” then deepened that cultural approach in “kasmala.”

SB19 member Justin directed “What?,” released March 9, 2021, a post-apocalyptic video with military-inspired uniforms and the Murillo Velarde map.

BGYO moved from intense, performance-focused “The Light” (January 2021) to a sleeker, more mature look in “The Baddest” (August 2021).

Andrea Manuel

Andrea Manuel

Writer

Andrea Manuel is a Writer at Billboard Philippines, covering the latest developments in Filipino music and culture. She reports on daily news spanning OPM, P-pop, hip-hop, and mainstream international releases that resonate with Filipino audiences, helping readers stay informed on the artists, releases, and trends shaping today’s music landscape.

Her coverage includes music releases, artist debuts, concert announcements, festival appearances, industry developments, and notable milestones, with a particular interest in documenting the evolving stories of both emerging and established artists across genres.

Andrea has also written concert and album reviews, as well as feature stories drawn from artist interviews. Through timely and engaging reporting, she highlights artists, releases, and cultural moments driving conversations across the Philippine music industry and beyond.

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