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Where The Magic Truly Happens: Jackson Wang On Stepping Out Of The Chaos

The global star slows down, reflects, and redefines himself as he closes the intricate and theatrical world of MAGIC MAN.

Jackson Wang has never been good at sitting still. 

For the last decade (and even before then in his previous life as an athlete), the multihyphenate star has always been on the move. Whether it’s as part of a chart-breaking K-pop group, or a jet-setting solo act taking over stages across the world, or a creative director that’s making his mark in the world of fashion, Jackson has rarely taken a break, constantly in motion. 

While this has undoubtedly led to Jackson’s global stardom, it has offered him no opportunity to sit down and reflect on the life he’s built for himself. 

Photographed by Ennuh Tiu. On Jackson: Selvedge Denim Work Set by Syndrome x Renata.

In 2024, Jackson finally took the well-deserved break he needed, and for the first time, slowed down. He spent his year off catching up with friends and family, finding himself, and reconnecting with music at his own pace. Away from the spotlight, he fought through the shadows of his mind and the chaos of public life; and in the stillness, he created MAGICMAN 2. 

A follow-up to the intricate MAGIC MAN from 2022, it retells his journey of finding the light at the end of a long, dark, and winding tunnel. Written and produced entirely by Jackson himself, the album sees the global icon at his most vulnerable, revealing all that he found and discovered during his year of self-reflection and discovery.

Photographed by Ennuh Tiu. On Jackson: Selvedge Denim Work Set by Syndrome x Renata.

“If it was like, ‘Hey, I want to have a hit’ or ‘I want to get on the Hot 100,’ then I would be making songs about, like, I don’t know… Candy Crush. It doesn’t have to mean something to me, you know?” Jackson explains to Billboard Philippines. “Right now, it’s just not something that I want to do, not just as an artist but as a person. That’s the whole point of this album.” 

He continues, “I started writing journals, and one of the things I realized [is that] a lot of songs that I sang in the past as Jackson Wang, I don’t even know what it means. I started to realize a lot of those songs have nothing to do with me as a human, I just didn’t want to live like that anymore. So that’s why, at least once in my life, I need this kind of album where it’s about me and what I want.”

Photographed by Ennuh Tiu. On Jackson: Black Blazer from D.D.Daily.

More than just a live show, the MAGICMAN 2 concerts unfold like a movie. Every scene, every transition, every moment is designed with intention — an emotional throughline that mirrors the darkness, tension, and eventual clarity that shaped the album. Jackson isn’t simply performing songs; he’s inviting audiences into the world he built in his year of quiet, asking them to feel the story with him.

Onstage, he moves with the sharp certainty of someone who finally understands what he wants to say.

“I’m actually so happy. [I’m not] thinking about, ‘Is it commercial, or is it not?’ ‘Is it music, stuff that people want to listen to, or not?’ It just feels very great to be yourself to your audience, to the people that know you,” he says.

Photographed by Ennuh Tiu. On Jackson: Black Blazer from D.D.Daily.

For Jackson, performing MAGICMAN 2 is about more than music; it’s about connecting with his fans and bringing them further into his world.

“There are a lot of people that have known me since Day 1 or even before I debuted, but there are people that came in halfway and I’m just very glad that I can have this opportunity to share who I am to them and how I think about life,” he says. 

Jackson continues, “[I’m] also hoping that they could take this away, more than the performance itself but also the message that I share with them on what I think, and hoping that it could also encourage them, give them hope in their darker days as well because the entire MAGICMAN 2 is about what I think, who I am, and how I recover from chaos. This is how I recover from reality and society.”

This focus on honesty and reflection carries through to the messages he wants audiences to take home. “The long story short: all the good and the bad in life, it’s all meant to happen. Don’t try to avoid it. Good doesn’t always mean good, bad doesn’t always mean bad, and what’s good without the bad, what’s bad without the good? So everything in life, the good and the bad, just accept it and move on with it. The ultimate message is whatever that happened to you, and whatever that will happen, it made you who you are today.”

Photographed by Ennuh Tiu. On Jackson: Black Blazer from D.D.Daily.

After years in the industry, Jackson is intentionally redefining what it means to create music. Now, intentional and purposeful in the music he makes, he wants everything to reflect who he really is. 

“I think moving forward, I just want to make something that’s real to me. Even if I’m making a song about candies, right, or about bananas, it must mean something to me,” he says. “I mean, it can’t just be, ‘Hey, this is a good song, you should just record it.’ I don’t want to do that anymore.”

That pursuit of authenticity doesn’t exist in isolation. For Jackson, it’s inseparable from the community that has grown alongside him over the years. Every choice he makes as an artist — every song, every performance — is filtered through the understanding that his fans aren’t just spectators, they’re a valuable part of his journey.

Photographed by Ennuh Tiu. On Jackson: Padded bomber jacket and trousers from Patton

He shares, “I feel blessed. There are millions of artists, and I’m just one of them, and just having another human being investing the time and effort in you is a blessing. I’m thankful for that. I feel like fans are always supporting the artist, but what’s in return, you know? So that’s why I want to make sure they know whoever that they’re supporting is, I want to make sure that they know who I am.”

This also means rejecting the need for perfection or curation, even in his personal life. 

“Whatever I do, I don’t tend to hide as much or care as much. For example, when I just go out and drink, whatever I do, I’m not saying it’s a great thing but I don’t want to hide it from them. I’d rather have less people support me than them supporting someone that’s not me,” says Jackson.

Photographed by Ennuh Tiu. On Jackson: Padded bomber jacket and trousers from Patton

Looking forward, Jackson is entering an era defined not by characters or concepts, but by himself. This decisively means the end of MAGIC MAN. 

“There’s no more MAGIC MAN because the entire MAGICMAN 2 is talking about how I — Magic Man — I felt in my darkest days. That’s why it looks super dark, but MAGICMAN 2 is the conclusion,” he explains. 

“It doesn’t exist anymore, I have recovered.”

As for what comes next, Jackson is embracing the unknown and going with the flow, accepting whatever that entails.

He says it simply: “MAGIC MAN is done. Now it’s just… Jackson Wang.”


Billboard Philippines November 2025 Digital Cover.

Photographed by Ennuh Tiu. Creative and Fashion Direction by Daryl Chang. Art Direction by Gelo Quijencio and Alannah Mitra. Styling by Bettina Banez. Assisted by Mel Estillore. Tailoring by Nina Amoncio and Patch Amoncio. Makeup by HONG Eunjae. Hair by LEE Han. Photography assisted by Rojan Maguyon and Popoy Obales. Shot at Presidential Suite of the Dusit Thani Manila. Shoot Coordination by Liezel Restauro. 

Written by Franchesca Basbas. Billboard Philippines, November 2025.

Special thanks to TEAM WANG and PUBLICITYASIA.

Franchesca Judine Basbas

Contributor

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